The Music of Brother Bear

Copyright © 2003 Disney Enterprises, Inc.

Songs by

Phil Collins

Score Composed by

Mark Mancina and Phil Collins

Music

Great Spirits

Produced and Arranged by Phil Collins and Mark Mancina

Performed by Tina Turner

Transformation

Produced and Arranged by Mark Mancina and Phil Collins

Choral Arrangement by Eddie Jobson

Performed by The Bulgarian Women’s Choir

On My Way

Produced and Arranged by Phil Collins and Mark Mancina

Performed by Phil Collins and Jeremy Suarez

Welcome

Produced and Arranged by Phil Collins and Mark Mancina

Additional Vocal Production by Chris Goldsmith

Performed by

The Blind Boys of Alabama and Phil Collins with Oren Waters

No Way Out (Theme from Brother Bear)

Produced and Arranged by Phil Collins and Mark Mancina

Performed by Phil Collins

Look Through My Eyes

Produced by Rob Cavallo

Arranged by Phil Collins and Rob Cavallo

Strings Arranged and Conducted by David Campbell

Recorded by Allen Sides

Mixed by Chris Lord-Alge

Performed by Phil Collins

No Way Out (Theme from Brother Bear) (Phil Collins Version)

Produced and Arranged by Phil Collins and Chris Montan

Mixed by Chris Lord-Alge

Performed by Phil Collins

Orchestrations by

David Metzger

Vocal Arrangements by

Phil Collins, Mark Mancina, David Metzger

Songs Recorded and Mixed by

Frank Wolf and Steve Kempster

Score Recorded and Mixed by

Steve Kempster

Music Editor

Earl Ghaffari

Music Production Supervisor

Tom MacDougall

Music Production Manager

Andrew Page

Music Production Coordinator

Deniece Hall

Technical Consultant

Chuck Choi

Orchestra Conducted by

Don Harper

Vocal Contractor

Carmen Carter and Bobbi Page

Songs Contracted by

Reggie Wilson

Score Contracted by

Sandy DeCrescent

Supervising Music Copyist

Booker White — Walt Disney Music Library

Assistant Music Editor

Daniel Gaber

Music Production Assistants

Joel Berke and Jill Iverson

Score Assistant

Johnny Whieldon

Transformation Inuit Translation

Lorena Kapniaq Williams

Choral Arrangements by

Eddie Jobson featuring The Bulgarian Women’s Choir

Phil Collins appears courtesy of Atlantic Records

Tina Turner appears courtesy of Parlophone / EMI Records Limited

The Bulgarian Women’s Choir appears courtesy of

Globe Music Media Arts Corp. / Jaro Medien GmbH

The Blind Boys of Alabama appear courtesy of

Real World Records, Ltd.

Rob Cavallo appears courtesy of Warner Bros. Records, Inc.

Soundtrack Available on

Walt Disney Records

Borderlands (John Fusco’s album)

Fusco’s third album

Recorded: 2021–22

Studio

• Petit Jazz Studios, Vermont
• Tank Recording Studio, Burlington, Vermont

Genre

• Americana
• Blues
• Country
• Gospel
• Tex-Mex

Producer: George Walker Petit

Released: October 21, 2022; 2 years ago

Label: Rocket 88 Records

No. of Tracks: 10

Length: 49 minutes

Format: CD and Digital download

John Fusco — Composer, Lead Vocal, Piano, Hammond B3

George Walker Petit — Guitars, Bass, Percussion, Ocarina

Russ Lawton — Drums

Matthew Backer — Slide and Dobro Guitars

Patrick Richard Ross — Fiddle and Mandolin, Background Vocals

Ashley Betton — Background Vocals

Jane Boxall — Marimba

Stuart Paton — Congas

Connor Young — Trumpets

Michael Hartigan — Accordion

All songs/lyrics composed by John Fusco, except Ain’t No Grave (Traditional)

Engineered, produced, arranged, mixed by George Walker Petit at Petit Jazz Studio, Vermont

Additional engineering by Ben Collette at the Tank Studio, Vermont

Cover Art by Tom Russell (tomrussell.com)

Graphic design by Mariah Parker (mettagraphics.com)

Coyote Man

John Fusco — Lead Vocal, Piano

George Walker Petit — Guitars, Fretless Bass, Percussion, Ocarina

Russ Lawton — Drums

Stuart Paton — Congas

Connor Young — Trumpets

Dance of the Seven Veils

John Fusco — Lead Vocal, Keyboards

George Walker Petit — Guitars, Fretless Bass, Percussion

Russ Lawton — Drums

Jane Boxall — Marimba

Stuart Paton — Hand Drums

Bad Luck Rides Shotgun

John Fusco — Lead Vocal, Hammond B3

George Walker Petit — Rhythm Guitar, Bass, Percussion

Russ Lawton — Drums

Matthew Backer — Slide Guitar, Rhythm Guitar

Horseback Jesus

John Fusco — Composer, Lead Vocal, Piano

George Walker Petit — Guitars, Bass

Michael Hartigan — Accordion

Cowboy Picture

John Fusco — Composer, Lead Vocal, Hammond B3

George Walker Petit — Guitars, Bass, Percussion

Russ Lawton — Drums

Patrick Richard Ross — Fiddle, Mandolin, Background Vocals

Countrified Noise

John Fusco — Composer, Lead Vocal

George Walker Petit — Guitars, Bass

Russ Lawton — Drums

Patrick Richard Ross — Fiddle, Mandolin

Cyanide Whisky

John Fusco — Composer, Lead Vocal, Hammond B3

George Walker Petit — Guitar, Bass, Percussion

Russ Lawton — Drums

Matthew Backer — Dobro, Slide Guitar, Trem & Rhythm Guitar

Knighted by the Queen

John Fusco — Composer, Lead Vocal

George Walker Petit — Guitars, Bass, Percussion

Russ Lawton — Drums

Jane Boxall — Marimba

Stuart Paton — Hand Drums

Ashley Betton — Background Vocals, Handclapse

Run, Rez Dog, Run

John Fusco — Composer, Lead Vocal

George Walker Petit — Guitars, Bass, Ocarina

Russ Lawton — Drums

Patrick Richard Ross — Fiddle, Mandolin, Background Vocals

Ain’t No Grave

John Fusco — Lead Vocal

George Walker Petit — Guitar, Fretless Bass

Ashley Betton — Background Vocals

Mil Gracias... by John Fusco

Many thanks to George Walker Petit, without whom this album wouldn’t have existed. You’re a true compadre, George, and I must say it again: Where have you been all my life? Along with George’s engineering, guitars, bass, and various percussion, I am grateful for the Borderlands posse of Russ Lawton, Patrick Ross, Matt Backer, and all the gifted players on this collection. Mil gracias to Oscar Zambrano and Zampol Productions, border troubadour and painter Tom Russell for the original cover art (Blue Horse), Charley Robinson of Iconoclast Design, Mariah Parker of Mettagraphics, and Groovehouse.

The Music of Tarzan (1999 film)

Copyright © 1999 Edgar Rice Burroughs, Inc. and Disney Enterprises, Inc.

Songs by

Phil Collins

Score Composed by

Mark Mancina

Executive Music Producer

Chris Montan

You’ll Be in My Heart (Phil Version)

Produced by Rob Cavallo and Phil Collins

Performed by Phil Collins

Recorded by Elliot Scheiner

Mixed by Chris Lord-Alge

Music

Two Worlds

Produced and Arranged by Phil Collins and Mark Mancina

Performed by Phil Collins

Orchestra Conducted by Mark Mancina

You’ll Be in My Heart

Produced by Mark Mancina and Phil Collins

Arranged by Mark Mancina

Vocals by Phil Collins and Glenn Close

Orchestra Conducted by Mark Mancina

Son of Man

Produced and Arranged by Phil Collins

Performed by Phil Collins

Trashin’ the Camp

Produced and Arranged by Phil Collins

Noises Performed by Phil Collins

Vocals by Rosie O’Donnell

Additional Musical Arrangements by Paul Bogaev

Strangers Like Me

Produced by Phil Collins

Arranged by Phil Collins and Mark Mancina

Performed by Phil Collins

Orchestra Conducted by Mark Mancina

Score Produced by

Mark Mancina

Orchestrations by

David Metzger

Score Conducted by

Don Harper

Songs Recorded and Mixed by

Frank Wolf

Score Recorded and Mixed by

Steve Kempster

Score Co-Produced by

Christopher Ward

Music Editor

Earl Ghaffari

Assistant Music Editors

Robbie Boyd and Daniel Gaber

Director, Music Production

Andrew Page

Music Production Manager

Tom MacDougall

Music Production Coordinator

Deniece LaRocca

Music Contractors

Sandy DeCrescent and Reggie Wilson

Vocal Contractors

Bobbi Page and Fonzi Thornton

Additional Synth Programming

Marc Mann

Supervising Music Copyist

Booker White - Walt Disney Music Library

Music Preparation by

JoAnn Kane Music Service

Phil Collins appears courtesy of Atlantic Records

Original Soundtrack Available on

Walt Disney Records

The Music of The Lion King

Copyright © 1994 The Walt Disney Company

Songs by

Tim Rice and Elton John

Original Score Composed and Arranged by

Hans Zimmer

Can You Feel the Love Tonight

Performed by Elton John

Produced by Chris Thomas

Music Supervision by

Hans Zimmer

Songs

Circle of Life

Arranged and Produced by Hans Zimmer

Performed by Carmen Twillie

African Vocals Performed by Lebo M.

I Just Can’t Wait to Be King

Arranged and Produced by Mark Mancina

Performed by Jason Weaver and Laura Williams with Rowan Atkinson

Be Prepared

Arranged and Produced by Hans Zimmer

Performed by Jeremy Irons

with Whoopi Goldberg, Cheech Marin and Jim Cummings

Hakuna Matata

Arranged and Produced by Mark Mancina and Jay Rifkin

Performed by Nathan Lane, Ernie Sabella,

Jason Weaver and Joseph Williams

Can You Feel the Love Tonight

Arranged and Produced by Mark Mancina

Performed by

Nathan Lane, Ernie Sabella, Sally Dworsky,

Joseph Williams and Kristie Edwards

Music Recorded and Mixed by

Jay Rifkin

Music Recorded at

Media Ventures (USA)

Todd-AO Scoring (USA)

Angel Studios (UK)

BOP Studios (South Africa)

Supervising Music Editor

Adam Milo Smalley

African Vocal Solos and Improvisations Created by

Lebo M.

Additional Song Arrangement

Bruce Fowler, Danny Troob, Paul Bogave

Additional Vocal Arrangement

Bruce Fowler, Bobbi Page, Mark Mancina

Score Conducted by

Nick Glennie-Smith

Score Orchestrations

Bruce Fowler

Additional Orchestrations

Ladd McIntosh and Yvonne Moriarty

Choral Arrangement and Conducting by

Lebo M., Andrae Crouch, Mbongeni Ngema, Nick Glennie-Smith

Choir Masters

Mbongeni Ngema and Andrae Crouch

Vocal Contractors

Tonia Davall, Mbongeni Ngema, Bobbi Page, Alfie Silas

Music Production Assistance by

Nico Golfar (USA), Maggie Rodford (UK), Eric Stark (South Africa)

Assistants to Hans Zimmer

Christopher Ward, Mitchell Lamm, Antonia Bogdanovich

Orchestra Contractor

Reggie Wilson

Orchestra Copyist

Dominic Fidelibus

Elton John appears courtesy of

MCA Records (USA and Canada) and Phonogram Ltd. (Rest of the World)

Mbongeni Ngema appears courtesy of Tusk Records

Circle of Life Chorus

Maxi Anderson

Baby Cele

Gugwana Dlamini

Linda Gcwensa

Kuyanda Jezile

Sphiwe Khanyile

Skhumbuzo Kubheka

James Langa

Tsidi Mayne

Myrna Matthews

Nonhlanhla Mkhize

Nandi Ndlovu

Bobbi Page

Philile Seme

Kipizane Skweyiya

Khuluiwe S’thole

Sam Vamplew

Maxine Waters

Yvonne Williams

Terry Bradford

Lucky Cele

Kevin Dorsey

Clydene Jackson

Bob Joyce

Faca Khulu

Thembi Kubheka

Edie Lehmann

Khanyo Maphumulo

Batho Mhlongo

Thembi Mtshali

Bongani Ngcobo

Phindile

Alfie Silas

Sindisiwe Sokhela

Thandazile

Julia Waters

Oren Waters

Terry Young

Johnny Britt

Rick Charles

Wendy Fraser

Matoab’sane Jali

Faith Kekana

Stella Khumalo

Ron Kunene

Rick Logan

Abner A. Mariri

Vusi Mhlongo

Bheki Ndlovu

Niki Nkosi

Rick Riso

Happy Skhakhane

Susan D. Stevens

Carmen Twillie

Luther N. Waters

John West

Zolile Zulu

Soundtrack Available

on Cassette and Compact Disc from

Walt Disney Records

The Music of The Lone Ranger (2013 film)

Copyright © 2013 Disney Enterprises, Inc. and Jerry Bruckheimer, Inc.

Music by

Hans Zimmer

Supervising Music Editor

Kenneth Karman

Music Wrangler

Bob Badami

Music Editors

Peter Oso Snell and Katie Greathouse

Music Production Supervisor

Monica Zierhut

Additional Music by

Geoff Zanelli

Rupert Gregson-Williams

Steve Mazzaro

Andrew Kawczynski

Jasha Klebe

Lorne Balfe

Featured Musicians

Nico Abondolo

Jason Bonham

Ann Marie Calhoun

Anthony Clarke

Mike Einziger

Pedro Eustache

Aleksey Igudesman

Arturo Sandoval

Tristan Schulze

Supervising Orchestrator

Bruce Fowler

Orchestrations by

Walt Fowler, Kevin Kaska, Suzette Moriarty, Carl Rydlund

Music Preparation

Booker White — Walt Disney Music Library

Score Recorded by

Joel Iwataki

Score Mixed by

Daniel Kresco and Satoshi Noguchi

Digital Workstation Operators

Kevin Globerman and Vincent Cirilli

Orchestra Conducted by

Nick Glennie-Smith

Score Recorded at

Sony Scoring Stage and The Newman Scoring Stage

Score Recorded and Mixed at

Remote Control Studios

Orchestra Contractor

Peter Rotter

Concert Master

Belinda Broughton

Music Production Services

Steve Kofsky

Score Coordination for Remote Control Studios

Czarina Russell

Technical Assistants

Chuck Choi, Brian Wherry, Phill Boucher

Digital Instrument Design

Mark Wherry

Assistant Engineers

Christian Wenger, Tim Lauber, Adam Michalak

On-Camera Supervising Music Mixer

Joseph Magee

On-Camera Music Arranged by

Geoff Zanelli

Pre-Record Orchestrations by

Marshall Bowen, Dave Giuli, Jennifer Hammond

Vocal Contractor

Jasper Randall

After the Battle of Aughrim

Arranged by Hans Zimmer and Ann Marie Calhoun

Hanson Place (Shall We Gather at The River)

Arranged by Marshall Bowen

Battle Hymn of the Republic

Arranged by Geoff Zanelli

Red’s Theater of the Absurd

Written and Produced by Jack White

Performed by Pokey LaFarge and the South City Three

Beautiful Dreamer

Arranged and Produced by Jack White

Performed by Pokey LaFarge and the South City Three

The Girl in the Flying Trapeze

Arranged and Produced by Jack White

Performed by Pokey LaFarge and the South City Three

Dixie

Arranged by Kenneth Karman

Stars and Stripes Forever

Written by John Philip Sousa

Arranged by Geoff Zanelli

Marse Henry March

Arranged by Geoff Zanelli

The Star Spangled Banner

Written by Francis Scott Key

Arranged by Geoff Zanelli

William Tell Overture

Arranged by Geoff Zanelli

Soundtrack Available on

Walt Disney Records

The Music of Pearl Harbor (2001 film)

Copyright © 2001 Touchstone Pictures and Jerry Bruckheimer, Inc.

Music by

Hans Zimmer

Music Supervisors

Bob Badami and Kathy Nelson

Music Editor

Jennifer Nash

Assistant Music Editor

Katie Greathouse

Music Production Services by

Media Ventures

Score Recorded and Mixed by

Alan Meyerson

Score Conducted by

Gavin Greenaway

Supervising Orchestrator

Bruce Fowler

Orchestrations by

Elizabeth Finch, Walter Fowler, Ladd McIntosh, Suzette Moriarty

Concertmaster

Andre Granat

Soprano Solos by

Julia Migenes

Additional Recording by

Slamm Andrews

Additional Arrangements

Fiachra Trench

Klaus Badelt

Steve Jablonsky

James S. Levine

Geoff Zanelli

Assistant Engineers

Gregg Silk and Kevin Globerman

Score Stage Recordist

John Rodd

Score Recorded at

Newman Scoring Stage

Music Contractor

Sandy DeCrescent

On-Camera Production Music Recorded by

Joseph Magee

Production Music Recorded at

Signet Sound Studios

Music Preparation by

Booker White — Walt Disney Music Library

There You’ll Be

Written by Diane Warren

Produced by Trevor Horn and Byron Gallimore

Performed by Faith Hill

Courtesy of Warner Bros. Records

Soundtrack Available on

Hollywood / Warner Bros. Records

Production Notes of Spirit: Stallion of the Cimarron

Date of Production: 1998-2002

DreamWorks Pictures newest animated feature, Spirit: Stallion of the Cimarron, is both an artistic and technical marvel, and illustrates that what is regarded these days as traditional animation, is anything but traditional. The advent of the computer in animation has revolutionized the genre, perhaps most notably with the inauguration of entirely computer-animated films. However, the computer has also had an ever-increasing impact on 2D, traditional animation.

Surprisingly, for all its painterly qualities, Spirit: Stallion of the Cimarron is DreamWorks most technologically complex animated film of any kind to date.

“The thing that is unique to traditional animation is what happens when an artist, an animator, gives life to a character with his or her own hand,” producer Jeffrey Katzenberg offers. “It’s a direct creation of life with a pencil on a piece of paper. Computers can't do that… not yet.” But, Katzenberg adds, “The computer is not the nemesis of traditional animation. What I wanted to do with this film was to take hand-drawn animation and marry it together with state of the art technology to create a film that is the best of both worlds.”

Spirit: Stallion of the Cimarron is by no means the first traditionally animated film to incorporate computer-animated elements. However, this movie represents such a wholesale commingling of these two techniques, that some of the production team have referred to it as a hybrid form of animation. The primary example of this hybrid comes early on in the film, as we see the adult Spirit running with his herd. As they run, we are watching 3D animation not only of the herd, but also of Spirit himself. As Spirit comes up to the crest of a hill, the camera zooms in to circle around him, and we witness, but don’t see, an absolutely imperceptible 2D takeover of the shot. Then, as the camera moves back, there is another takeover, this time 3D, that is equally seamless.

Whether 2D or 3D, horses are notoriously difficult to draw and even more so to animate, which speaks to why Spirit: Stallion of the Cimarron is the first animated film to feature a horse as its central character.

There are several elements that have kept horses off the drawing boards of animators. They have a long, inflexible spine, a defined musculature seen in every movement and a wide range of gaits. Their faces also pose another kind of challenge, characterized by an elongated muzzle, with the eyes set high and wide and the mouth set low.

The entire animation team began an intensive crash course on equine anatomy, movement, locomotion and behavior. At the Los Angeles Equestrian Center, the animators spent hours studying and sketching real horses. The animators also benefited enormously from the expertise of two of the horse world’s most respected authorities and the film’s horse consultants, Dr. Deb Bennett and Dr. Stuart Sumida.

The doctors engaged the animators in a multi-pronged training program, teaching them about horses from the inside out. Aside from the fact that horses have that long, rigid spine, other parts of their anatomy are almost always moving, from the long neck that bends and swings and the tail that flicks and swishes, to the ears that pivot to capture sound and the lips that serve as their “hands”.

The animation team was further educated about the varying gaits of a horse - walk, trot, canter and full gallop. More than just the speed, animators had to learn the individual components of each gait and the emotions behind them. For example, the frolicking gallop of a horse at play is entirely different from a gallop instigated by fear.

One special character in Spirit: Stallion of the Cimarron is neither horse nor human. It is the landscape of the American West itself, at a time when the frontier was as untamed as the wild mustangs that called it home.

The progress of civilization has forever changed much of the landscape, so production designer Kathy Altieri, art directors Ron Lukas and Luc Desmarchelier and the filmmakers began their research in books about the Old West. They also watched old movie Westerns and studied the paintings of the great Western artists, like Frederic Remington, Frank Tenney Johnson and James Reynolds.

But no painting, movie or photograph could be as inspirational to the filmmakers and design team as seeing firsthand the still-breathtaking vistas of the West. So eight members of the production team embarked on a whirlwind tour of eight of America’s most treasured national parks in only four days.

Glacier National Park became the model for Spirit’s homeland, with its magnificent landscape of lush green grass, open blue skies and rolling hills and valleys. In sharp contrast, the Cavalry fort was a re-creation of Monument Valley where the terrain is stark and more angular.

Aspects of both Yosemite National Park and Yellowstone National Park are seen in the Lakota village where Spirit meets his love Rain. Bryce Canyon, with its unique rock formations towering above narrow, winding trails, provides the perfect backdrop for the heart-stopping chase scene. To do the panoramic vistas of the American West justice on the screen, the filmmakers felt their only choice was to shoot Spirit: Stallion of the Cimarron in the wide-screen format Cinemascope. For the animation team, the decision meant they would be required to produce 40 percent more animation to fill the larger frames. At 24 frames per second, this translated to a great deal of work for both the traditional animators and the digital artists.

At the start of the film, the audience is carried into the world of Spirit on the wings of an eagle in what the production team dubbed the “homeland pan.” The shot is a three-minute camera fly through capturing some of the most recognizable landmarks of the American West, in what appears to be one long, continuous pan. Actually comprised of seven separate parts, the sequence features a perfect blending of hand drawn-characters and traditionally painted backdrops with digital environments and CG characters.

More than nine months in just the design stage, the homeland pan was one of the first sequences to go into production and one of the last to be finished. Achieving the exceedingly complex shot required literally tens of thousands of 2D and 3D elements, including more than 700 traditionally painted backgrounds and more than 2,500 drawings, another 1,800-plus painted elements that were then texture mapped onto 3D geometry to make the virtual sets and more than 12,000 frames of computer-generated elements. There were an average of 30 layers composited to produce any given frame, and the fly through involved 4,183 final film frames.

Power Rangers (TV series)

BVS Entertainment, Inc. and BVS International N.V.

Disney acquired Power Rangers, and the brand’s merchandising rights, when the company purchased Fox Family Channel in 2001. Power Rangers Ninja Storm, which debuted in 2003, was the first production solely managed by Disney. Production moved to New Zealand and included a new producer, cast, and crew. Power Rangers first appeared on American television in 1993. Production on new episodes ceased in 2009, and the franchise was sold to Saban Brands, the original owner, on May 12, 2010.

Created by Haim Saban and Shuki Levy

Original work: Mighty Morphin Power Rangers

Based on the Japanese television series Super Sentai by Shotaro Ishinomori

Owner

• Toei Company, Ltd.
• Saban Entertainment, Inc. (1993–2001)
• The Walt Disney Company (2001–10)

No. of Seasons: 17 (My List)

No. of Episodes: 700 (My List)

Television (My List)

1993–96: Mighty Morphin Power Rangers

1996: Power Rangers Zeo

1997: Power Rangers Turbo

1998: Power Rangers in Space

1999: Power Rangers Lost Galaxy

2000: Power Rangers Lightspeed Rescue

2001: Power Rangers Time Force

2002: Power Rangers Wild Force

2003: Power Rangers Ninja Storm

2004: Power Rangers Dino Thunder

2005: Power Rangers S.P.D.

2006: Power Rangers Mystic Force

2007: Power Rangers Operation Overdrive

2008: Power Rangers Jungle Fury

2009: Power Rangers RPM

The Music of Spirit: Stallion of the Cimarron

Copyright © 2002 DreamWorks LLC

Music by

Hans Zimmer

Songs by

Bryan Adams

Artistic Music Supervisor

Marylata E. Jacob

Executive Music Producer

Jay Rifkin

Assistants to Hans Zimmer

Moanike’ala Nakamoto and Clay Duncan

Music Assistant

Julie Imboden

Music

Additional Music by

Steve Jablonsky

Supervising Music Editor & Music Recorded by

Slamm Andrews

Music Editor

Robb Boyd

Songs Mixed by

Bob Clearmountain

Score Mixed by

Alan Meyerson

Studio Assistants

Kevin Churko, Kevin Harp, Kevin Globerman, Gregg W. Silk

Technical Music Advisers

Kazimir Boyle, Melissa Muik, Trevor Morris, Joel Richard

Music Production Services

Thomas Broderick; Media Ventures, Los Angeles

Orchestra Recorded at

Air Lyndhurst Studios, London

Orchestra Recorded by

Geoff Foster

Assisted by

Michael Price, Jake Jackson, Adam Noble

Music Conducted by

Gavin Greenaway

Concertmaster

Perry Montague Mason

Music Copyist

Tony Stanton

London Musician Contractor

Tonia Davall

Orchestra Score Recording Supervised by

Maggie Rodford; Air-Edel Associates Ltd.

Red River Valley

Arranged by Craig Eastman

Additional Arrangements

Jim Dooley, Rupert Gregson-Williams, Mel Wesson

Solo Guitar

Heitor Pereira

Songs

Here I Am

Written by Bryan Adams, Gretchen Peters, Hans Zimmer

Produced by Gavin Greenaway and Bryan Adams

This is Where I Belong

Written by Bryan Adams, R.J. Lange, Hans Zimmer

Produced by Gavin Greenaway and Bryan Adams

You Can’t Take Me

Written by Bryan Adams, Gavin Greenaway, R.J. Lange

Produced by Gavin Greenaway and Bryan Adams

Get Off My Back

Written by Bryan Adams, Eliot Kennedy

Produced by Matt Mahaffey and Bryan Adams

Sound the Bugle

Written by Gavin Greenaway, Trevor Horn

Produced by Gavin Greenaway

I Will Always Return (Finale)

Written by Bryan Adams, R.J. Lange, Hans Zimmer

Produced by Gavin Greenaway and Bryan Adams

Here I Am (End Title)

Produced by Jimmy Jam and Terry Lewis

for Flyte Tyme Productions, Inc.

Don’t Let Go

with Sarah McLachlan

Written by

Bryan Adams, Gavin Greenaway, R.J. Lange, Gretchen Peters

Produced by Gavin Greenaway and Bryan Adams

Brothers Under the Sun

Written by Bryan Adams, Steve Jablonsky, Gretchen Peters

Produced by Steve Jablonsky and Bryan Adams

Soundtrack Available on

A&M Records / UMG Soundtracks

Spirit: Stallion of the Cimarron (Music from the Original Motion Picture)

The album cover is made in Europe

Recorded: 2001–02

Studio

• Media Ventures, Los Angeles
• Air Lyndhurst Studios, London
• The Warehouse Studio, Vancouver
• The Warehouse Studio Mobile Unit, Jamaica
• Compass Point, Bahamas

Executive Music Producer: Jay Rifkin

Released: May 14, 2002

Label: A&M Records / UMG Soundtracks (Universal Music Group)

Length: 59 minutes

Format: CD

Here I Am

(Bryan Adams, Gretchen Peters, Hans Zimmer)

Produced by Jimmy Jam and Terry Lewis for Flyte Tyme Productions, Inc.

Engineered by Steve Hodge and Kevin Globerman

© 2002 Badams Music Limited (ASCAP); SKG Songs (ASCAP)

I Will Always Return

(Bryan Adams, R.J. Lange, Hans Zimmer)

Produced by Patrick Leonard and Bryan Adams

Additional Production by Gavin Greenaway

Engineered by Michael Verdick, Kevin Globerman, Kevin Churko

Additional Engineering by David Channing and Terry Manning

Assisted by Katrina Leigh and Brian Vibberts

© 2002 Badams Music Limited (ASCAP); Zomba Enterprises, Inc. (ASCAP); SKG Songs (ASCAP)

You Can’t Take Me

(Bryan Adams, Gavin Greenaway, R.J. Lange)

Produced by Gavin Greenaway and Bryan Adams

Engineered by Slamm Andrews

© 2002 Badams Music Limited (ASCAP); SKG Songs (ASCAP); Zomba Enterprises, Inc. (ASCAP)

Get Off My Back

(Bryan Adams, Eliot Kennedy)

Produced by Matt Mahaffey and Bryan Adams

Whistling, drums, BV’s and keyboards: Matt Mahaffey

Matt Mahaffey appears courtesy of DreamWorks Records

© 2002 Badams Music Ltd. (ASCAP); SKG Songs (ASCAP); Songs of SKG (BMI)

Brothers Under the Sun

(Bryan Adams, Steve Jablonsky, Gretchen Peters)

Produced by Steve Jablonsky and Bryan Adams

Engineered by Kevin Globerman, Slamm Andrews, Phil Western

© 2002 Badams Music Limited (ASCAP); Songs of SKG (BMI); SKG Songs (ASCAP)

Don’t Let Go (with Sarah McLachlan)

(Bryan Adams, Gavin Greenaway, R.J. Lange, Gretchen Peters)

Produced by Gavin Greenaway and Bryan Adams

Engineered by Kevin Globerman, Joel Richard, Chris Potter, Kevin Churko

Drums: Ashwin Sood / Acoustic Piano: Sarah McLachlan

Sarah McLachlan appears courtesy of Arista Records / Nettwerk Productions

© 2002 Badams Music Limited (ASCAP); SKG Songs (ASCAP); Zomba Enterprises, Inc. (ASCAP)

This is Where I Belong

(Bryan Adams, R.J. Lange, Hans Zimmer)

Produced by Gavin Greenaway and Bryan Adams

© 2002 Badams Music Limited (ASCAP); Zomba Enterprises, Inc. (ASCAP); SKG Songs (ASCAP)

Here I Am

(Bryan Adams, Gretchen Peters, Hans Zimmer)

Produced by Gavin Greenaway and Bryan Adams

© 2002 Badams Music Limited (ASCAP); SKG Songs (ASCAP)

Sound the Bugle

(Gavin Greenaway, Trevor Horn)

Produced by Gavin Greenaway

© 2002 SKG Songs (ASCAP); Unforgettable Songs Limited (PRS) / SPZ Music Inc. (BMI); Songs of SKG (BMI)

Run Free

(Hans Zimmer)

Produced by Hans Zimmer and Jay Rifkin

© 2002 SKG Songs (ASCAP)

Homeland (Main Title)

(Hans Zimmer)

Produced by Hans Zimmer and Jay Rifkin

© 2002 SKG Songs (ASCAP)

Rain

(Hans Zimmer)

Produced by Hans Zimmer and Jay Rifkin

© 2002 SKG Songs (ASCAP)

The Long Road Back

(Hans Zimmer)

Produced by Hans Zimmer and Jay Rifkin

© 2002 SKG Songs (ASCAP)

Nothing I’ve Ever Known

(Bryan Adams, Eliot Kennedy, Hans Zimmer)

Produced by Hans Zimmer, Gavin Greenaway and Bryan Adams

© 2002 Badams Music Limited (ASCAP); Songs of SKG (BMI); SKG Songs (ASCAP)

I Will Always Return (Finale)

(Bryan Adams, R.J. Lange, Hans Zimmer)

Produced by Gavin Greenaway and Bryan Adams

© 2002 Badams Music Limited (ASCAP); Zomba Enterprises, Inc. (ASCAP); SKG Songs (ASCAP)

Executive Film Music Producer: Jay Rifkin

Music Supervisor: Marylata E. Jacob

Additional Music by Steve Jablonsky

Supervising Music Editor: Slamm Andrews

Music Editor: Robb Boyd

Music Recorded by Slamm Andrews

Songs Mixed by Bob Clearmountain

Assisted by Kevin Harp

Film Score Mixed by Alan Meyerson

Studio Assistants: Kevin Churko, Kevin Globerman, Gregg W. Silk

Technical Music Advisors: Kazimir Boyle, Trevor Morris, Melissa Muik, Joel Richard

Music Production Services: Tom Broderick and Media Ventures, Los Angeles

Orchestra Recorded at Air Lyndhurst Studios, London

Orchestra Recorded by Geoff Foster

Assisted by Michael Price, Jake Jackson, Adam Noble

Orchestra Conducted by Gavin Greenaway

Concertmaster: Perry Montague Mason

Music Copyist: Tony Stanton

Music Business Affairs: Lenny Wohl

London Musician Contractor: Tonia Davall

Orchestral Score Recording Supervised by Maggie Rodford and Air-Edel Associates Ltd.

Additional Arrangements: Jim Dooley, Rupert Gregson-Williams, Mel Wesson

Assistants to Hans Zimmer: Moanike’ala Nakamoto and Clay Duncan

Music Coordination: Julie Imboden

Soundtrack Coordination: Anthony Seyler

Soundtrack Art Direction / Design: Terry Robertson

Photograph by Bryan Adams

Bryan Adams recorded at

The Warehouse Studio, Vancouver (www.warehousestudio.com)

The Warehouse Studio Mobile Unit, Jamaica

Compass Point, Bahamas

Musicians

Bass, Acoustic and Electric Guitar: Bryan Adams
Guitar: Keith Scott
Drums: Mickey Curry
Acoustic and Electric Guitar: Heitor Pereira
Electric Guitar: Davey Johnstone
12 String Guitar: David Channing
Electric Cello: Martin Tillman
Fiddle: Craig Eastman
Background Vocals: Pointless Brothers (Bryan Adams and R.J. Lange)
Keyboards and Programming: Gavin Greenaway, Pat Leonard, Steve Jablonsky, Hans Zimmer, Mel Wesson

Management: Bruce Allen

Assistant to Bryan Adams: Kathryn Appleton

Bryan Adams newsletter: Suite 500 - 425 Carrall Street, Vancouver, BC V6B 6E3, Canada

Motion Picture Artwork, Photos: ™ & © 2002 DreamWorks L.L.C.

Hans Zimmer would like to thank: Kelly Asbury, Lorna Cook, Jeffrey Katzenberg, David Geffen, Steven Spielberg, Max Howard, Mireille Soria, Bryan Adams, Guy Babylon, Klaus Badelt, Anna Behlmer, James Beshears, Tim Chau, Ronni Chasen, Craig Eastman, Nick Fletcher, Stacey Gellert, Nick Glennie-Smith, Michael Gorfaine, Gavin Greenaway, Harry Gregson-Williams, Bart Hendrickson, Vicki Hiatt, Todd Homme, Trevor Horn, Marylata “Duchess of Music” Jacob, Will Jennings, Jewel, Chris Johnson, Davey Johnstone, Robyn Klein, Kosta Kotselas, Adrian Lee, Henning Lohner, Andy Nelson, Terry Press, Phil Roy, Manfred Rürup, Denis St. Amand, Sam Schwartz, Martin Tillman, Diane Warren, Jake Zimmer, Suzanne Zimmer, Zoë Zimmer, Mini-Z’s, Jay Rifkin and the Media Ventures team.

Thank you very much (from Bryan Adams): Jeffrey Katzenberg, “Mutt” Lange, Hans Zimmer, Gavin Greenaway, Gretchen Peters, Eliot Kennedy, Jimmy Jam, Terry Lewis, Steve Hodge, Slamm Andrews (Iamslamm.com), Pat Leonard, Joey Issa, Kelly Asbury, Lorna Cook, Mireille Soria, Marylata Jacob, Jimmy Iovine, Ron Fair, Michael Ostin, Don Passman, Gregg Harrison, Bob Clearmountain, Tony Seyler, Jay Rifkin, Sam Schwartz, Shania Twain, Henning Lohner, Evil Wenches, Jody Perpick, Roy Lamb, Toe, Robert Nevalainen, Lance Stadnyk, Kim Blake, Sandee Bathgate, Randy Berswick, Nancy Emery, Manu Luyton, Heather McRitchie, Teri Tkachuk, Sarah McLachlan, Ashwin Sood, Terry McBride, Vicki Hiatt, Stacey Gellert, Matt Damon, Martin Kierszenbaum, Tomoko Itoki, David Rose, Lucian Grainge and all the staff at DreamWorks and Media Ventures for their huge efforts in putting this film and soundtrack together.

www.bryanadams.com

Phonographic Copyright: A&M Records

© 2002 A&M Records, Inc.

Printed in the U.S.A.

Album Information

February 24, 2004: Gold — Over 500,000 copies sold (RIAA)